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# Re: Re:Essential meaning

#### Message 00815 of 3835

- To: BardonPraxis@yahoogroups.com
- Subject: Re: [BardonPraxis] Re:Essential meaning
- From: Scott Andersen <sga_email@...>
- Date: Thu, 22 May 2003 23:22:52 -0700 (PDT)
- In-reply-to: <004501c32078$a1d91a30$3ba37fd8@ownerbqacdlzy6>

    Dear Rawn,

    Nice to hear from you. :)

    Ditto!, I never ever left ;)

    Essential meaning is the same for all who *directly* perceive it. Where
    variation arises is in the *interpretation* of essential meaning. That
    is when it becomes a subjective, personalized thing, but this is not
    *direct perception*.

    Ok, So to take the example of the plastic action figures in your other post
    about essential meaning, the figure of Godzilla; the essential meaning is, in
    this case, created in the artists mind as an idea or intention, a message or
    intent that he/she wanted to convey which results in the form of Godzilla?

    The same could be said for the hunchback or any other figure, the essential
    meanings of these figures were created, were *supplied* by the mind of the
    artist?

    But what about natural forms such as a rose or tree, where do their essential
    meanings originate?

    Since they are not the result of an idea in a persons mind like the Godzilla
    character or the hunchback character, where do their essential meanings
    originate from?

    After reading the 'Gems of Akasha' response about essential meaning I can
    understand that it is the essential meaning that allows the manifestation and
    without the essential meaning there is no essence with which astral or physical
    matter can cling. Nature dresses according to the essential meaning the form in
    the astral density or both the astral and physical densities.

    But from where does the essential meaning of natural forms originate ( since
    these do not originate in the mind of man )?

    Kind Regards,

    Scott.

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    [Non-text portions of this message have been removed]

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