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# Re: Tone, and my introduction

#### Message 01123 of 3835

- To: BardonPraxis@yahoogroups.com
- Subject: Re: Tone, and my introduction
- From: "SeaWinder" <seawinder@...>
- Date: Sat, 19 Jul 2003 18:28:13 -0000
- In-reply-to: <20030719165416.70047.qmail@...>
- User-agent: eGroups-EW/0.82

    Greetings;

    > Peter: G# is above G , the scale is like this:
    > C, C#, D, D#, E, F, F#, G, G#, A, A#, B, C (there's no E# or B#)
    > I hope it helps.
    >
    > Glad to meet you all (again).
    > Rodolfo

    I mean this in all positiveness and respesct.. but that tonal
    breakdown is only the western musical scale. There exists the other
    1/4 tones between each note in the eastern scales where they use it in
    ragas and such.

    C, C#, C##, Dbb, Db, D, ... etc.

    So, question; would this factor into the discussion?
    Whereas though, I would "presume" by the initiates' internalizing all
    of this that within oneself there would respond a natural resonance of
    the correct and true note one is working in the realms of. I know this
    inherently because I am a musician and have been tuning my guitar
    from age 13, and at about age 22 I found that I was close to being on
    key when I had to restring and tune my guitar without a tuner or
    tuning fork available. And by age 28 I found that the resonance of the
    "harmonics" of the note coming into natural tone had become a learned
    craft within myself. I can only suppose, not having gone through
    intermediate steps of the Bardon system, heck I am just at my
    beginnings, that this could hold true of the inner note resonance also. ?

    What are others thoughts on this?

    As always, I Wish You Well,
    Chuck

    >
    >
    >
    >
    >
    > ---------------------------------
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    >
    > [Non-text portions of this message have been removed]

- Follow-Ups:
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- References:
  - Re: Tone, and my introduction
    - From: "Rodolfo C.C.de Oliveira" <rodolfocco@...>

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