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# Gems of Akasha

#### Message 00731 of 3835

- To: <BardonPraxis@yahoogroups.com>
- Subject: Gems of Akasha
- From: 4i81-adq1@...
- Date: Sun, 4 May 2003 15:20:02 -0600
- Importance: Normal
- In-reply-to: <000b01c31274$0bf94e20$c8a17fd8@ownerbqacdlzy6>

    Continuing the thread, some thoughts on a technique for using Akasha for
    manifestation... responses pro and con, suggestions for enhancements,
    corrections of understanding all welcome and appreciated...

    Gems of Akasha

    Whatever you want to manifest will have an emotional tone. Even if it is
    an "external" accomplishment or condition, the end result is always
    something you anticipate experiencing or feeling as a result of your
    objective.
    This emotional tone is going to fall into a broad category, but it will
    also be very specific to a particular objective.

    This tone can be used to build a symbolic representation. It is built
    using calibration with the tone... does it increase the intensity and
    quality of the tone or does it diminish it? You are not going to know
    intellectually what is going to symbolically create the best
    representation of this tone... you will have to cycle through imagery,
    color, form, sound, scent, taste and expression that arises intuitively,
    without judgment, to find the most powerful building blocks and final
    form for this "talisman."

    These are re-usable constructs, and it seems valuable to collect a set
    of half a dozen or so that represent to you, at your current stage, the
    most valuable states of being you would like to experience in this
    existence. Perhaps when one is more advanced, this can be done easily on
    the fly. I've found at this point, I need to take time to construct and
    calibrate energy into these carefully, and in advance, for the greatest
    effect. It's like collecting a set of magical gems for one's personal
    "medicine bag."

    When you utilize any of these gems in the future, they are already
    attuned to the tone and they are easily energized, in fact, the work
    that went into their calibrated construction helps tap the energy they
    require in subsequent application.

    An important difference is that these magical gems aren't about pulling
    a particular thing or circumstance, they are about manifesting a
    particular experience. A distillation of sort. It is different from
    holding and experiencing the physical condition in a magnetic form for
    manifesting and channeling the intent down through the 4 planes as
    described previously.

    Constructing akashic gems can point out some interesting ways we have
    put blinders on our imaginations. It is sometimes easier to think of the
    things, situations or characteristics that we desire than to explore
    what these circumstances allow us to be or experience. What is it that
    you ultimately want to be in this existence and how would you experience
    the world in that state of being?

    Using a simplistic example, say you wanted to have no material concerns
    about money. Whatever money could provide you in terms of free time,
    travel, living conditions, etc. was something you no longer had to even
    consider consciously. Can you tap into the emotional tone of what your
    world would be like? It's weird, and oddly liberating to begin thinking
    of what, in the vast palette of potential states, we want to experience
    rather that focusing on the obstacles and strategies and necessary
    requirements for getting there. Ultimately, for any of our goals, it's
    the experience of how we will feel that we are actually after.

    Now if your medicine bag contains gems for the selected states that you
    feel represent all your highest aspirations of bliss at this stage of
    your learning, you can pull any one out at any time to impregnate the
    akasha around you. And then forget it. But at the end of the day,
    reflect back on when and where you might have tapped or brushed
    synchronistically across responsive notes of this frequency. Your
    medicine bag begins to seed the fabric of your routine existence with
    the highest aspirations you can conceive. (Although it can be used as
    effectively for more modest tones to gain facility with the technique.)

    There is an alchemy here that only akasha can provide.

    If this sounds too abstract, a better way of getting a handle on the
    principle is through the use of your own personal sanctuary.
    Finding/building an interior environment that represents to you, most
    accurately, the feeling tone of "home." Not home remembered from
    childhood, but home that calls to you from the core of your being. Using
    this feeling tone as a guide you can learn how to interact with symbols
    and images during the construction of your sanctuary that calibrate with
    a single focus. After this, the gems may make more sense.

    The sanctuary has the side effect of giving you a solid sense of
    grounding and centeredness in the everyday world. Most people don't have
    this type of space in their experience, and this is a "power spot" as
    potent, if not more so, than any sacred spot that you can visit in the
    material world. ("Spaces" of interior experience are just as important,
    if not more so, than exterior spaces, which are actually interior
    themselves, if you think about it.)

    So this is the first half of the technique. In summary, using emotional
    "tone" to shape through calibration a multimodal (form, color, sound,
    etc.) construct, the tone ensures this is not strictly a linear,
    intellectual construct but has the unique and specific elements that
    represent this intent for you. The second half of the technique is
    projecting or seeding akasha with this precise energy.

    For this, you need to make the construct the center of your "I" or
    presence. In the west our center of consciousness is usually located in
    the head, typically somewhere between the eyes and a few inches back.
    This nexus of center is what needs to be moved into the construct so you
    experience your perspective from the construct rather than the notch
    that you typically rest your "identity" in (which is a type of akashic
    imprint in its own right.) An easier start to get a feel for this might
    be this exercise:

    http://www.chioshealing.com/Meditation/MeditationTechnique/meditationtec
    hnique.htm

    To me, akasha is a holographic medium and it can be impregnated as a
    "whole" by centering awareness in the construct and feeling the
    expansion of boundaries in this energy extend to infinity. It is the
    kinesthetic equivalent of each of us being the center in an infinite
    universe. A very similar sensation to "soft" eyes or hakalua, when you
    spread your vision out to include all of your peripheral sight. This may
    be where description starts breaking down too and you'll just have to
    try it :-)

    A related technique is impregnating a circumscribed substance, like the
    air around you or food, etc. In this sense, rather than extending out to
    infinity, you project the construct into the substance (or keep it in
    the center of the body for breathing) and feel the periphery as the
    circumference defined by the substance. So for food, you would project
    the construct into the food and with your awareness in and of the
    construct, expand it out to include the substance within the boundaries
    of its physical form. This "patterns" everything within that space with
    the holographic imprint.

    I've noticed there are usually small differences that make a major
    difference in the effectiveness of any magical technique. These can be
    highly individual but it is important to discover them rather than apply
    the exercises by rote and repetition.

    -emc

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